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Feb 13, 2008                                      
Art Depreciation.com presents...

Child... Care?


               

               



"Mr. and Mrs. Noax"
Time: One of Innocence
Medium: True Love

Jeremy Noax was a mature boy, for his age. He had been so all the years of his short life, and by the age of seven he found that he had completely surpassed his peers in reason, social skills, and the arts. A successful essayist, poet, and political advisor in his free time, Jeremy was still forced to deal with what were, to him, the indignities of youth: reading, writing, 'rithmatic, playgrounds, juice boxes. "Jukeboxes!" he exclaims in his memoirs, "When all I wanted was to appreciate the full body of a ripe 20 year old Cabernet!"

He longed to feel himself among equals, to be allowed to pursue his distinctive interests and sophisticated tastes openly. At first he tried to find other youth his own age, to whom he could bare his soul, children who could understand the unique trials and tribulations of a genius trapped in a child's body. Unsurprisingly, he had little luck in this endeavor. From time to time, he would try to speak with adults as equals, but he was usually beaten for his troubles and sent to his room hungry. Such was Jeremy's sad existence.

And then, one day, while the rest of the class was napping and Jeremy was composing sestinas in his head, the school's principal came into the classroom with the most beautiful woman Jeremy had ever seen in his life. Her name, the class was informed, was "Ms. Fundabrunder", and she was to be their substitute teacher. The class's normal teacher had gone on an extended leave to Vienna, where she was undergoing treatment by an up-and-coming young doctor who was making a name for himself with his "talking cure."

Jeremy did not know what god had brought this angel into his life, but he did not care. He only knew that he had to make this woman his own, to show her the love she brought up inside of him. And oh, if she only loved him back, why then everyone else could go to rot! With her by his side, he would need no other.

Thus did Jeremy begin a siege of Ms. Fundabrunder's ingrown better judgment, attempting to dazzle her with his brilliance. At first, he left her anonymous love notes, and, then slowly but surely, he began a campaign of winks and smiles, a subtle showering of attention upon Ms. Fundabrunder. He would climb into her lap at story time, often brought her apples and other goodies, and stayed after class to help her tidy up the classroom.

Once Ms. Fundabrunder became aware of Jeremy's intentions, she was at first (understandably) apprehensive: "This type of thing is surely not done, not by civilized, rational people!" But Jeremy slowly broke down her defenses, telling her tales of Grecian philosophers, Nipponese Samurai, and child brides in Arabia. "Surely a practice common to so many of the world's civilizations could not be wrong?" he reassured her, "especially when it feels so right!"

And Ms. Fundabrunder was slowly brought around, by Jeremy's persistence and by the obvious purity of his love for her. As she and Jeremy fell deeper and deeper in love with each other, they began to realize that, while Greeks, Nipponese, and Arabians were all well and good, their own society was not as welcoming of such behavior. Rather than allowing themselves to be parted in the name of what Jeremy called "horrible, blinded, common decency" the young lovers decided to run away together, to live a life of constant movement, always on the road together, content as long as each had the other.

Before embarking on this lifelong journey of true love, they commissioned the above painting, to be left behind as an explanation for those few who might care to try and understand their beautiful, forbidden love. And we bring it to you here this week, in celebration of the Day of St. Valentine.

 

 

 

 

 

 

 

 

one of the redlands